Books and book chapters

  • Pierroux, P. and Rudi, J. (2020) Teaching Composition with Digital Tools: A Domain-Specific Perspective. In K. Knutson, T. Okada and Crowley, K. (Eds.) Multidisciplinary Approaches to Art Learning and Creativity: Fostering Artistic Exploration in Formal and Informal Settings. Routledge.
  • Rudi, J. (2020) The Musical Imagination of Knut Wiggen. In Hagan, Kerry and Puckette, Miller (Eds.) Between the Tracks. MIT Press
  • Rudi, J. (2020) Questions and challenges in ubiquitous creativity. In V. Lazzarini, D. Keller, L. Turchet and N. Otero (eds.) Ubiquitous Music Ecologies. Taylor and Francis.
  • Rudi, J. (2020) Preserving digitally inscribed music. In Bue, M. (Ed.) Notated Music in the Digital Sphere. Oslo: National Library of Norway
  • Rudi, J. (2019) Elektrisk lyd i Norge fra 1930 til 2005. Oslo: Novus.
  • Rudi, J. (2019) Representation, complexity and control – three aspects of technology-based sonic art. In Toft, T. (ed.) Digital Dynamics in Nordic Contemporary Art. Chicago: Intellect/University of Chicago Press.
  • Rudi, J. (2013) Eivind Groven and technological innovation. In Kydland, A. J., Dalaker, I. L. & & Lopatowska-Romsvik, D (Ed.) “East of Noise” Eivind Groven – composer, ethnomusicologist, researcher, pp. 122-135. Oslo: Akademika.
  • Rudi, J (2011) Introduction, in Rudi, J. (Ed.) Soundscape in the Arts, pp. 171-172. Oslo: NOTAM.
  • Rudi, J (2011) Soundscape in the Arts, in Rudi, J. (Ed.) Soundscape in the Arts, pp. 175-183. Oslo: NOTAM.
  • Rudi, J (2011) Soundscape and Listening, in Rudi, J. (Ed.) Soundscape in the Arts, pp. 185-194. Oslo: NOTAM.
  • Rudi, J (2011) Out into the Sound of what we don’t know – an interview with Jana Winderen, in Rudi, J. (Ed.) Soundscape in the Arts, pp. 252-261. Oslo: NOTAM.
  • Rudi, J (2011) Resounding Experience – an interview with Bill Fontana, in Rudi, J. (Ed.) Soundscape in the Arts, pp. 271-279. Oslo: NOTAM.
  • Rudi, J. og P. Pierroux (2009) Framing learning perspectives in computer music education, in Dean, R. (Ed.) The Oxford Handbook of Computer Music and Digital Sound Culture, pp. 536-555. Oxford: Oxford University Press.
  • Rudi, J. (2008) Introduction, in Rudi, J. (Ed.) Karlheinz Stockhausen – en pionér i Utopia, pp. 15-16. Oslo: NOTAM.
  • Rudi, J. (2008) Introduction, in Rudi, J. (Ed.) Absorption and Resonance – Sound and Meaning, pp. 4-5. Oslo: NOTAM.
  • Rudi, J. (2008) Sound and Meaning, in Rudi, J. (Ed.) Absorption and Resonance – Sound and Meaning, pp. 108-127. Oslo:NOTAM.
  • Rudi, J. (2004) Forsøksordningen 1998-2000, sett fra musikkens ståsted, in Paasche, M. (Ed.) Norsk kulturråd og den elektroniske kunsten, Evaluering av forsøksperioden, Notat nr. 58. Oslo: Norsk Kulturråd.
  • Rudi, J. (2003) Foreword, in Wiggen, K. The Psychological Foundation of Music. Fredrikstad: Paradigma.
  • Rudi, J. (2003) DSP – Sound Synthesis and Educational Aims, in Enders, B. og J. Stange-Elbe (Red.) Global Village, Global Brain, Global Music, pp. 471-477. Osnabrück: Epos Music.
  • Rudi, J. (2003) Foreword, in Stang Dahl, J. and Jøran Rudi (Ed.) Electronic Art in Public Space, pp. 5-6. Oslo: NOTAM.

Conferences – peer review proceedings and reports

  • Rudi, J. Digital Affordances. Media Art History Conference “Re:sound.” Ålborg, August 20-23, 2019.
  • Rudi, J. Designing and evaluating soundscapes in virtual reality exhibitions. Visitor Studies Association Conference «Ways of Knowing.» Detroit, July 10-13, 2019.
  • Rudi, J. Preserving Digitally Inscribed Music. Nasjonalbiblioteket. Oslo, 25. October, 2018.
  • Rudi, J. Knut Wiggen – Nordens pioner i computermusikken. Fredrikstad, August 25, 2018.
  • Rudi, J. The Contributions of Computer Music Pioneer Knut Wiggen, International Computer Music Conference. Daegu, August 5. – 10., 2018.
  • Rudi, J. Hasta la Vista – Human Agency, is it really so special?, Arctic Arts Festival, June 26, 2018.
  • Rudi, J. Knut Wiggen’s search for new methods and aesthetics – is it relevant today?, EMS-network conference, Florence, June 20. – 23., 2018. Paper accepted.
  • Rudi, J. Knut Wiggen’s musical innovation, Kyma International Sound Symposium 2017, Oslo, October 12.- 15., 2017.
  • Rudi, J. Knut Wiggen’s composition method, Musikkteknologidagene 2017, Oslo, 10. Oktober, 2017.
  • Rudi, J. og Thelle N. J. Digitally based music: Archiving, migration and performance, Norwegian Musical Heritage, National Library of Norway, Oslo, December 8. – 9., 2016.
  • Rudi, J. Applying Creative Principles in Software Design for Music Education: A Case Study, Art learning and Creativity – Contemporary Issues in Formal and Informal Settings, Tokyo University, Tokyo. November 19. – 20. 2016
  • Rudi, J. Technology-based music in Norway – 1955 to 2015, The Avant-gardes in the Nordic countries 1975-2000, University of Copenhagen, Copenhagen, December 3-5, 2015.
  • Rudi, J. The just intonation automat, a musically adaptive interface, ICMC 2015, Denton, Texas, September 2015.
  • Rudi, J. Soundscape as a social constructEMS-network conference, Lisbon, June 20, 2013.
  • Rudi, J. Research on education in electroacoustic composition with children – future challengesElectronic Sounds in the Classrom, ZKM, Karlsruhe, April 27, 2013.
  • Rudi, J.  Two educational softwares for composing electronic music: Objectives, design and practiceLa Creazione Musicale dei bambini e degli adolecenti nell’era digitale – riflessioni, recherche, esperienze, Rome, Radio Vaticana, October 26. – 27., 2012.
  • Brandtsegg, Saue, Inderberg, Tidemann, Tro, Lazzarini, Kvidal, Thelle og Rudi. The developement of a online course on DSP eartraining, in DAFX 2012 proceedings, York, September 17. – 21., 2012.
  • Rudi, J. Musikkutdanning, samfunn og teknologi, Ultima conference, Oslo, September 6, 2012.
  • Rudi, J. Soundscape as a social construct, WFAE conference, Corfu, October 3. – 8., 2011.
  • Rudi, J. & Bullock, J. The Integra ProjectEMS-network conference, New York, June 14-18, 2011.
  • Rudi, J. Are studios still relevant for musical innovation? ArtMusFair, Warsaw Autumn Festival, September 23, 2010.
  • Rudi, J. Men det var aldri bedre før. Musikkteknologidagene, Oslo, September 16. – 17., 2010.
  • Rudi, J. Sound Art, World Music Days, Växjö, September 24 – October 4, 2009.
  • Rudi, J.  Welcoming ChangeEMS-network conference, Buenos Aires, June 22-25, 2009.
  • Rudi, J. Musikkteknologien i kunstens tjeneste, Music Technology Days, Bergen, September 10. – 11., 2008.
  • Rudi, J. Musikkteknologi som verktøy på tvers – nye arenaer for organisert lydMusic Technology Days, Oslo, October 10-11, 2007.
  • Rudi, J. Listening in museumsNODEM 2006, Oslo, December 7-9, 2006.
  • Rudi, J.Presentasjon av NOTAM, Music Technology Days, Oslo, 2005.
  • Rudi, J. Compositional use of Digital Audio Effects, In DAFX 2001 Proceedings, Limerick, December 6. – 8., 2001.
  • Rudi, J. DSP – Sound Synthesis and Educational AimsKlangArt-Kongress, Osnabrück, June 10. – 13., 1999.
  • Rudi, J. DSP for ChildrenICMC Proceedings, Thessaloniki, September 25-30, 1997.
  • Rudi, J. Hearing VisionSound in Multimedia Conference Proceedings, Clark University, March 25, 1996.
  • Rudi, J. NoTAM Studio ReportICMC Proceedings, Banff, September 3-7, 1995.

Tutorial texts