Organised Sound 23.3 has the theme “Sound and Kinetics: Performance, artistic aims and techniques in electroacoustic music and sound art”, and is edited by Neal Spowage and myself. In addition to an editorial text, I have an interview with Benoit Maubrey in this issue, which to me is particularly interesting because it also features two articles from Norwegian artists with work in this field: “Materiality in Sound Art” av Asbjørn Blokkum Flø, and “Music as Organised Time: A strategy for transmedial composition and a questioning of the relation between music and sound” av Christian Blom.