Just received notification that my paper “Reconstructing sound and music in a multimedia installation – authenticity and conflicting sources” has been accepted at this years NYCEMF. This professional gathering has grown in importance over many years, and I look forward to presenting. Bringing the research on this multimedia installation to the music community is important, as this work might benefit future projects of similar nature. Here is the text.
Curator The Museum Journal
I just learned that her journal has accepted my article Balancing conflicting types of authenticity in the reconstruction of sound and music in the installation work Blikk (1970). It was written over the summer, and will appear in print in January 2023.
And here is the link: https://onlinelibrary.wiley.com/doi/10.1111/cura.12539
Norwegian sound archive conference
The Norwegian Sound archive conference 2022 will take place in the Deichman library in Oslo on April 25. og 26., and I have a presentation on the 26th. The presentation builds on my book “Electric Sound in Norway” from 2019, as well as more recent research from Arts Council Norway’s framework “Creative Practices in Music” (2021-22), to be presented later this year.
Computer music and post-acousmatic practices
Ulf Holbrook and I have had a short article Computer music and post-acousmatic practices accepted for the program of ICMC in Limerick this year. The conference takes place 3.-9. July, and the web pages can be found here.
Rethinking the History of Technology-based music
The conference is being arranged at University of Huddersfield during June 9.-11. this year.
The call is here: https://research.hud.ac.uk/music/conferences/technologybasedmusic/
The conference will contribute to shed light on the later developments in technology based music and other audio art genres, and bring overlooked parts of sonic arts history into view.
Deadline for submissions is March 22.